I had my tradeshow debut this year in the esteemed Design London section of 100% Design. Not a bad start!
Here I am camouflaged in my Victory Parade dress collaboration.
I had an an absolute blast meeting people face to face. It definitely made a nice change from working alone in my cabin.
I was really pleased to show off my brand new cushions
which are now live on the website. The colossal floor cushion
is a particular favourite. I think this first one will be staying at my house permanently... Full of bouncy British wool, these are just so comfortable. (I have to fight the cats and kids to get a perch) I was really excited to find a gorgeous soft touch breathable fabric for my outdoor cushions. I was originally going to use oilcloth but I so much prefer this tactile material.
I was most excited to reveal my Swarovski crystal, glow in the dark and magnetic wallpapers. It was amusing to watch everyone have a play with the realistic bugs and look in the 'Peeping Box' to see the fish glow and come to life. I really want to install the crystal wallpaper in a boutique hotel somewhere, it really is so opulent and you have to see it to believe how pretty it is.
Here is my laser etched oak table top which will be on sale soon! Also on display are my tiles
and a little cabinet I decorated with the magnetic wallpaper and beetles.
The chocolate certainly went down well and I'm currently exploring licensing these designs. The salted caramel was a firm favourite, I've had to hide the remaining bars from my cheeky husband.
How amazing is this vintage cabinet my Grandma gave me? It was a display cupboard from the department store she used to work in over 50 years ago and was the perfect size for my chocolate.
I'm currently considering my next tradeshow and will announce it as soon as I have settled on one.
I have lots on the pipeline after 100% Design and will post here with details of new collaborations and products soon.
As you can see she did a stellar job of refinishing this chest of drawers with my Froghoppers Reflection wallpaper.
Now I know you're not supposed to have favourites when it comes to your creative children but this one has a special place in my heart so I'm always really happy to see it in use. (I actually have this one in my own bedroom)
Take a look at the lovely details she has included such as the brass feet and darling gold bee handles.
If you would like to discuss commissioning a piece in this or any of my other designs do get in touch
for a chat.
Insects are so beautiful and intriguing. I can completely understand why they have become so popular in homewares recently.
They also look fantastic in jewellery as the Victorians knew. Here are a few of my favourite places to find insect jewellery from antique charms.
is the queen of Victorian charms. She repurposes stunning old pieces into even more gorgeous necklaces, earring and rings. These are at the pricey end of the spectrum. However if you are ever in Liberty London, do pop in and take a peek. The display there is glorious.
Now of course there are much more affordable options if you want to adorn yourself in beetles.
I adore Leola Revives. Not only does she have a constantly revolving stock of the sweetest gems, she also recreates some of the most popular ones!
I'd love to add some of these beauties to my collection!
It's been a while since I did a behind the scenes on wallpaper printing so here a few pictures to show you what happens after the wallpaper rollers are engraved.
The first step is to mix the paint for the pad or background colour.
This is the rich purple for Beetlenut. Looks a bit messy doesn't it?
The background colour is then applied with a blank roller. The image below is the gorgeous teal green which is one of my all time favourite colours.
Then, the exciting bit! The engraved roller is used to apply the design. In this case, glorious metallic gold.
I'm so in awe of this wonderful traditional process. The detail is absolutely phenomenal. Due to the nature of my work and the tiny dots I was concerned some of the finer parts would be lost or smudged or blurred in some way. I am pleased to say the outcome was just as I had hoped.
As much as I love digital printing for the scope it gives me (far more colours, shorter print runs and smaller minimum orders etc) flexographic printing will always be very special to me.
It's a little bit magic.
I thought it might be nice to show how the finished wallpaper designs come about.
This week I'm going to show you a few images from the preparation of the Gallinule wallpaper.
First I sketch the animals that I'm interested in before adding ink and detail. You can see below I had a bit of help from the Pickle with a few extra dots...
After I have scanned and printed the images I add watercolour. I usually plan for one or two drafts but in practice there can be many, many more until I am satisfied.
I arrange all the pieces together on the computer and then play with colour options. This can be the most fun, or frustrating part!
Here are a few colour backgrounds that didn't make the final cut, although they might pop up when I expand the range.
You can see the final wallpaper design here.
I wanted to share the work of a gifted mapmaker
with you all.
Tonwen Jones is a cartographer
who designs beautiful illustrated maps
of all kinds of different places. Most recently she created this marvel especially for London Zoo’s ‘Land Of The Lions’ exhibit, what a dream commission!
I also adore her Reykjavik map
as it’s somewhere I have always wanted to go. Tonwen makes it looks like a land from a fairytale which only provokes my wanderlust further. These geographical masterpieces are just part of what this talented topographer
She has worked with a lot of prestigious clients and had artwork published in The Guardian, National Geographic Traveller, Marie Claire and a host of other magazines, newspapers and books. She is available for bespoke commissions for wedding artwork
, which make great quirky invitations or gifts.
Her bespoke maps
have such glorious colour schemes too, I would love to have one on my wall one day. There is so much to see in each piece they would look gorgeous in big frame.
There is so much more you can do with wallpaper than cover your walls.
I decorated this cute little £3 plywood box I found at Tiger and use it as somewhere to throw my keys and wallet when I get in the door.
First I used their wood primer
and let it dry overnight. Then I added a layer of undercoat
, again leaving overnight before applying the first layer of Tiffany. One layer would possibly have been OK but I decided to do one more to make it really durable.
Finally I traced around the house, making adjustments for the fact it would be slightly smaller on the inside, and cut out my section of wallpaper. I added this to the back using wallpaper paste.
It was a quick and easy project, I might try something more substantial next time!
I find the subject of trends so interesting, especially interior trends.
The fact that colours come in and out of fashion is very strange to me, considering how most people have favourite colours and shades, which surely remain in the midst of whatever is in Vogue. It’s a mysterious process, almost like osmosis. Subliminal messaging in advertising is very real, and very effective, working through repetition.
Trends are predicted by forecasters who gather tons of information, images and research of things that are floating in the ether.
Of course it’s in part a self fulfilling prophecy because once something is announced as up and coming everyone wants to be a part of it. The collective consciousness is a weird thing, and it snowballs. There are always people who can style a room so beautifully that you want to live there yourself, it’s unsurprising that the rest of the world takes their cue from those who make interior design look so effortless. (Of course it usually isn’t!)
We are all looking at the same images on the internet, magazines, television and shops. It drives me mad if there is a huge trend I’m not keen on as you see it everywhere, and it’s that much harder to find what you really want. On the other side of the coin is getting over exposed to something you used to like before every other person in the world seemed to have it.
Fads do always come to an end at some point, even if they are reborn in another decade. There usually comes a saturation point where the style becomes passe. At this point the backlash starts and suddenly people that thought an abundance of teak furniture and a dark olive kitchen were incredibly stylish can start feeling embarrassed with their decorating choices, especially when the cutting remarks start and you realise you’re living in the middle of what is now deeply unfashionable. As long as you still like your home it shouldn’t matter if it’s no longer the in thing. (If you wait long enough it will be again!)
The constant updating of what is desirable appeals to modern humans rather short attention spans, but it is also a good way to get people to keep spending.
It’s a bit like Christmas every year. All through November and December (and before) we are bombarded with ‘eat this!’ ‘drink that!’ sugar, alcohol, extravagant dinners and spend spend spend! Only to be told in January we’re too fat and everyone needs to stop drinking immediately and hit the gym whilst also saving money (after the sales, naturally)
We’re blasted with particular images, colours and styles and a few months later a bunch of smug ‘in the know’ people are laughing at you for being stupid enough to fall for the fad.
If you want to escape this trap the key is to make sure you are choosing items you really love, and not ones that are just fashionable at the moment.
Nothing dates a room more than going all in on a certain theme. It’s not to say this can’t look bold and stunning, but it’s easier to live with a variety of style choices that can be kept or updated according to your preference. Overall I’m not really one for decorating or fashion rules, go with what makes you happy.
I wish I could say I was immune to trends, but of course I’m not. It’s hard to track your inspiration as an artist but none of us live in a vacuum and influences are everywhere. This is where you have to make sure that something about your designs is unique. It also means adapting and evolving, which is actually very good motivation to push yourself creatively and get better at what you do.
Sale! January 15 2016
To celebrate my birthday this month I'm doing a last minute sale of 50% off ALL WALLPAPER!
The sale will run until the 5th February to give everyone a chance to get some, even after the much anticipated January pay day.
January birthdays can be a bit miserable, everyone is poor, cold and partied out. But that suits me fine this year as a mug of tea and a good book without the toddler for a couple of hours is what I'm looking forward to.
Happy January everyone.
I'm so excited to be able to finally announce my exclusive botanical illustration commission with Lilly Loray, the fabulous retro furniture and homewares company.
The brief was to create a set of vintage style wall prints for the seasons using the signature Lilly Loray colours.
I chose Snowdrop, Cornflower, Poppy and Horseshoe Vetch.
I originally created the outlines and shading in ink using my trusty Rotring Rapidiographs before printing out in large format to add the colour. The writing was added by the lovely Tom Tinn-Disbury.
I love the stationery clips and wire Lilly Loray have added. It gives them a quirky industrial look. They are printed on a marvellous flexible fabric style material so will last generations.
These are available now only on Lilly Loray.
Get in touch if you have a commission you would like to discuss!